Two large barrels?

An easy to understand formulae is ‘no masts = no sailing ship’.

O f H M Sloop Racehorse ~ Requested by Peter Goodwin’s editor, for the book ‘Nelson’s Arctic Voyage‘ which he has almost completed, due out next Spring [subject to climate change?].

A ‘line drawing’ to show more clearly what is meant by the log entry ‘put preventer gammoning on bowsprit‘. 

Graphite of crew gammoning
 
The seemingly routine log entry refers to a dramatic situation during a full gale at sea.
The rigging, in those far off days made of hemp, had due to weeks of strong gales seriously stretched thus endangering the masts.
Hence my reference to an easy to understand formulae, ‘no masts = no sailing ship’.
 
Therefor an important requirement is to tension the rigging. 

Read moreTwo large barrels?

Commissioning the creative process

Pete Goss, the renowned small craft sailor (look him up on you tube etc) wrote:

I have always admired that painting (“Roaring Forties“, more on that below… was commissioned by Sir Robin Knox-Johnston)  as it is one of the few paintings that for me captures the Southern Ocean in a small boat.
I would love a painting as George (Skinner) has suggested but don’t want to start something
that is beyond my budget and ends up dashing all our hopes. D1903_Roaring_Forties15.03.05.jpg

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Cutting edge, have your say…

I’m working on a large marine painting (30″ x 40″ = 762x1016mm), marine ish that is, of the Bay of Antibes at sunset viewed from Cap Antibes near the lighthouse.

I’ve been struggling to find the lighting effect in the sky and land that I have in my vision.

To my surprise a visiting friend who used to help run the renowned Painting School of Montmiral said “Stop!”

Read moreCutting edge, have your say…

Search and research

Today, I have been looking at several subjects as the current group of paintings is almost complete.

I have the marine painting “Cattewater Plymouth, Australia bound emigrants prepare to board the clipper ship Samuel Plimsoll” 98% finished, here is a detail, I’ll show you this complete major painting on this blog any day noPlymouth_Cattewater__emigrants_bound_for_Australia__detail_IMG_7400_d.jpgw.

I have been looking for good photographs of HM Submarine Unique. I found a link that took me to the Submariners Association only the page was blank.

Or was it? I am reminded of the joke about the model of a stealth ship in a museum, it goes some what like this, “The models were wonderful, so detailed until I got to the Stealth ship, the case was empty… or was it?”

Read moreSearch and research

If you would like to see where I am off to today, try this link..

Not as big and glamorous as the Monaco Yacht Show last year, more intimate and more time for conversations so should still be good.
I’ll be looking for interesting marine subjects write about, photograph and of course, to paint.Antibes__GF_IMG_5480_wp.jpg

Read moreIf you would like to see where I am off to today, try this link..

Snow, moonlight and studio space

More snow today, it has been bitterly cold for the past 3 days with a North wind, the pop up pic opposite shows a car stuck outside my cottage…snow_feb_IMG_6791_wp.jpg

Today’s task is to work on the larger marine painting of the Cattewater, Plymouth by moonlight, a scene showing the  clipper Samuel Plimsoll loading emigrants Australia bound.

The studio space is very limited, I need more space but where and how, any suggestions?

Read moreSnow, moonlight and studio space